University of Alabama application essay


If you have never seen with the task of writing an application essay, it means that you are not familiar with all those hurdles that you may come across

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Symphonic Music Concert Review

Symphonic Music Concert Review. The concert can be broken down into three major movements. The first movement consists of recurring notes and themes in drum sets, the oboe, tubas and xylophones. These instruments collectively and fairly put forth a lyrical motif in the string parts of the cello. The players achieve this nature of the performance by unpredictably changing in a variety of keys or meters. Nonetheless, the tonal sensation of the performance was highly strong, thus the obvious clarity. The first performance, or movement, is fairly joyful, if not enthusiastic and loud. It can also be described as rather uplifting even if it involves a quite complicated orchestration. The orchestration featured a variety of drumming instruments, as well as many parts of the wind instruments. The players of the wind instruments made the flute, trumpet, and tuba become more noticeable at the end, in an effort to show development in performance. The opening movement worked as an introduction to differing ranges and dynamics. The players of the first movement also combined the tone of the performance with a blend of both homophonic and polyphonic textures. Every instrument was a supplement to each other and occurred in distinctions of monosyllabic and smoother tones.
The second movement, or performance, which was one of the slowly-opening ones in the entire symphony, was possibly the most beautiful and inspiring performance during the entire concert. The motif begins in the basses and then is slowly amplified by the entire orchestra, forming a totally calm and comfortable atmosphere. The distinct middle part forms some tension that fades when the opening motif returns. The ending of the performance includes of an abrupt burst of E major (this performance is in G major) that expects the genius of the ending of the symphony. I can also describe the second performance as classical scherzo. This is because of the domination of the timpani, along with the tuba and French horn. A combination of the tuba and French horn made the middle part of the second performance fairly tense, making the melodic difficult to follow track. The horns also brought in a short theme that was answered by the bassoon and the clarinet that started a highly expressive passage.
The third performance is the other slowly-opening movement, and probably the one that lasts longest. The performance is introduced with the deep and hoarse voice of a man mumbling something I presumed was important in understanding the motif of the performance. While mimicking the Neo-classical period, the performance formed melodies obtained from the Baroque period and overdoing them.
This performance can be referred to as a Waltz, in addition to a kind of repertoire that tests every musician's familiarity as a group player. After the introduction of the human voice, the performance progresses into a series of solo performances, beginning with the flute, and then bassoon, followed by the clarinet, oboe and eventually the horn. There were occasional complements from the drum set and timpani that helped break the calm and subtle tones.
Even though rock and symphonic music might sound like incredibly different genres of music, there are numerous commonalities between the two. Using the concert I attended, I will exampling some examples similarities between symphonic music and rock that will help explain the relationship between the two genres of music. First, chord advances in symphonic music and rock are very similar. Both genres normally start with a hook and then progress into a verse or two, gradually getting to a chorus. This is normally a musical passage that is much shorter with rock music, which is in fact the key difference. Second, rock music normally takes a much thicker style to rhythm, with drum players normally maintaining a steady, insistent beat through a whole song. For this symphonic performance, there is always a tempo, but it was normally maintained conductor.

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